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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Artist's Mother, 2012 by Sally Robinson

Observation point

Magazine article by Sally Robinson, 2017

Every face is different and every face is fascinating, but I find an elderly one particularly intriguing.

Moby Dickens, 2022 Blak Douglas (Dunghutti, South-east region)

Why portraiture?

Magazine article by Blak Douglas, 2023

Blak Douglas reflects on his experiences, process and motivation for making portraits.

Glenn McGrath

Pigeon coup

Magazine article by Christine Clark, 2006

Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Portrait 69

Portrait 69

In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.

Self portrait

Of ice and men

Magazine article by Joanna Gilmour, 2009

Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Megan Gale

Glamour vs grunge

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

Andy Thomas

The Final Frontier

Magazine article by Magda Keaney, 2002

Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.

Portrait of Mr Frank Packer

Vintage Cassab

Magazine article by Dr Sarah Engledow, 2006

The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.

Video still from Dream Job, 2011 by David M Thomas

My dream job

Magazine article by David Thomas AM, 2012

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

The Wedding, 2022 Atong Atem

See through me

Magazine article by Penelope Grist and Rebecca Ray, 2022

Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Portrait of Cate Blanchett

Being Cate

Magazine article by Dr Christopher Chapman, 2009

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency